#Last shift movie

I worked with my sound design team a lot and I wanted to make a movie that they could really sink their teeth into. We really wanted to do something small, super contained and something that was based on a lot of sound design.

How did you manage to maintain this feeling of fear and dread throughout? Because you did, I was scared the whole time.ĪD: *Laughs* Well that’s good! I talked about it with my producing partner Scott who was the co-writer on it. SCREAM: From the moment the film starts with the ominous phone call with Jessica’s mum and the intense police officer she first meets, you know she’s in for a tough night. There’s much more sinister things going on. In this interview Anthony discusses the film’s comparisons to Assault on Precinct 13, the reason for having a leading lady and the possibility of a sequel or prequel…ĪD: Last Shift is about a rookie police officer called Jessica Loren who is assigned to a transitioning police station to babysit it for the night and while she’s there she discovers why the police really moved out. You’ll just have to wade through the unbearable tension and terror to get to it. It may be overflowing with stone-cold horror, but there’s also a whole heap of heart in there which makes Last Shift an, at times, touching and heart-felt drama. SCREAM’s Jessy Williams was lucky enough to catch-up with director Anthony DiBlasi to chat about his supernatural shocker Last Shift, which is filled with plenty of frights and is a truly relentlessly scary 90 minutes.

Last shift